And just when you have Echoglass pegged in the broad indie-pop spectrum, when you think you have worked out their musical approach they go and throw a curve-ball. Not satisfied with just ploughing the same musical furrow, Last To Know sees them break out the Americana vibes and it is great. Musically sitting somewhere between a Nashville country ballad and the less rhinestone strewn vibes of the British-Americana scene, Last To Know is a charming blend of deft picking and sumptuous harmonies, understated deliveries but powerful lyricism.
It sits in just the sort of folk meets country territory which is going to appeal to music fans in the Old World and the New, a mid paced, lilting song built along simple lines, fine touches of piano adding delicate, underpinning detail, but retaining a wonderfully spacious feel that allows the voice to take centre stage. And what a voice it is, never showy or seeking the limelight, just impressive within the requirements of the song and that in itself, in this day and age, is a rare thing. It is that restraint, coupled with the room to breath that the songwriting affords that makes the music shine so brightly.
Yet again Echoglass music proves an example of loveliness over cool, apparent effortlessness over forced gimmickry and subtle musical textures over sonic weight. If only more people would adopt such an approach.