Ghosts – Mr Dog The Bear (reviewed by Dave Franklin)

22308787_979491262205802_8608101021869377211_nYou can trust Mr Dog The Bear to take an unusual approach to releasing an album. Normally, as a reviewer, I receive an intangible link to the album’s on line home, if I’m lucky I get a physical version through the post. But Mr Dog The Bear has always been about music built around a visual aspect, cinematic and wide screen in its scope it has always felt more like a film score or a soundtrack than a conventional music release. Which is why, and I guess I shouldn’t be surprised, the new album arrived as a series of videos, as visual representations of the sonic emotions being created.

Previous releases have often felt like an ambient band testing deeper waters, gentle, understated and restrained but with glorious crescendos of music threaded through as they occasionally leave the safety of the shallows behind. Ghosts, however, is the sound of full immersion and opening salvo All These Constant Reminders draws a line of intent which is hard to ignore. Growing from familiar slow burning grace it eventually takes the listener to a place where dramatic post-rock walls of sound and exquisite symphonic sweeps are the norm.


And something else that they previously only toyed with but now forms an integral part of the sound is vocals, Wait being a more conventional pop-rock groover with classical undertones, Eleutheria a dark and brooding piece with modern indie vocal deliveries and Fireflies calls back to their earlier Cocteau Twins infused haze. Apostrophe combines the conventional wisdom of song structure with the left field thinking that we have come to expect, commercial enough to be popular, cultish enough to be cool and the title track is a slow, mercurial piano piece, the perfect contrast of space and intensity to wrap the album up.

Watching Mr Dog The Bear grow over the last few years has been a joy. They have been a band..project…collaboration…I still don’t really know what they are, that has subverted expectation at every turn and in their solitary and masked way made music for all the right reasons, that is, for their own sake. The results, of which this album is the perfect summation, show that you don’t have to follow fashion, advice, trend or zeitgeist, that the best and indeed the most original music is that which just naturally flows from the creative soul. A lesson more people could probably do with learning!

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