Gothic music all had a touch of the melodrama and theatre about it, even those embryonic bands like Bauhaus who held the keys to the musical crypt revelled in a filmic, widescreen persona. By the time you get to the likes of The Mission and The Nephilim and the lines are completely blurred. Church of Lies uses this vibe as a touch stone but it mainly comes from the opposite direction. If they were goth bands bending the majesty and grandeur of classical music and wide-screen orchestration to their dark will, Rebecca Relansay comes from a more classically pure place but adopts something of their dark mantle.
The result is a song which wanders freely between a classical sound, pop accessibility and gothic charm. It toys with almost musical theatre poses and lyrically has something of the folk ethic about it. It sweeps rather than punches, shimmers rather than shocks and deftly blends minimalist dream-pop interludes to create some wonderful dynamic balance. Whilst it may not be goth in the literal music genre sense, more akin to Dead Can Dance exploring such territory, it would grace the sound track of any gothic-esque or noir movie more comfortably than most.