As someone who has visited the country mainly through its music and media, She Can Flow sounds like nothing less than America’s beating heart. And to be fair it is probably an America that never existed outside its road movies, TV adverts, beat legacy, literature and other rose tinted nostalgia, but in my mind it is what America should sound like. There is something in the songs musical soul which makes it quintessentially of that place but when and where is something that is harder to but your finger on.
It mixes lilting country rhythms, folky deliveries, a ragged bluesy beat, a funky, soulful groove and even after fitting all of those traits together manages to retain an immediacy and infectiousness that is normally only found in classic pop writing. It draws a line between 60’s coffee shops and modern country-pop crossovers, timeless porch jam sessions and 70’s Austin cosmic cowboy gigs, European folk and New World acoustic blues. In fact there isn’t much in the discerning musical world that it doesn’t touch upon and if there are genres that it doesn’t concern itself with, then you shouldn’t worry about them either.