Trent Miller is a great example of why the various tribal demarcations found in music, its generic barriers, its tribal affinities, its journalistic pigeon-holing and listener driven expectations, are all attitudes that thankfully are receding into the past. For whilst it is easy to hear the references to outlaw and fringe country heroes of the past, the ghost of Townes Van Zandt particularly floats between his notes and guides his pen, this is no country by numbers, no revisionist exercise or past pastiche. It may beat with a country heart but the classical sweeps and brooding cellos, the chiming, jangling psych-pop guitars and the brooding tones nail Time Between Us’s myriad colours to the mast just as readily as the more expected lilting rootsy sound and the inherent melancholy.
Days in Winter is an upbeat, Americana-infused gem, but one that seems to lend itself as much to the pen of Nick Lowe or Elvis Costello as it does to the traditional country sound and After The Great Betrayal (he does know how to chose a good title) shimmers with gentle post-punk vibes. At the other extreme the dark and dulcet tones of Motel Rooms of Ocean Blue (see, I told you) and stark minimalism Bonfires of Navarino Road (ditto) provide the more expected late night, introspective vibes, but still blending as much Old World restraint as it does New World tradition.
How Soon is Never is a brilliantly smooth roots meets chamber pop ballad, the sort of thing that Bryan Ferry would have scored a big hit with back in the day had his solo career veered away from the lounge bar schmooze and headed down a dustier heartworn highway. There is much speculation of what British-Americana is, ignoring the fact that Trent is actually from the vicinity of Turin anyway, but this seems too restrictive a term for what he does here, where weaves of folk, new-wave, chamber pop, retro-rock and even gothic undertones form the warp to the countrified and rootsy weft. Like all of the best music Time Between Us and the man behind it defies easy categorisation and that is the way I want him to stay.