Music historians will tell you that Punk, in its original form, evolved from two separate sources. In America, the nucleus was a New York scene of garage rock bands, musical hustlers and street urchins, in the UK bored London art college kids re-appropriated glam imagery and invented their own high velocity pop. Their common ground was always to be found more in the attitude and swagger than in any strong musical bonds. It is interesting to note, therefore, that Saskatchewan’s Vaudeville Remedy seem built on the twisted heritage of both scenes, the advantage afforded both in being able to look back from afar and the ubiquity of old music to the modern market.
Adhesives is a raw and raucous blending of grunge deliveries, US college rock outsiderisms, thrashed out blues-metal and first generation punk swagger, it is ragged and uncompromising. If it were more technical it would be metal, slicker it would be alt-rock and more melodic it would fit in to the commercial end of punk but Vaudeville Remedy is obviously happy skirting the fringes of all of those and fully committing to none. You have to love an outsider.