Perspective  –  Wembi (reviewed by Dave Franklin)

Attachment_1532887136.jpg.pngIt’s safe to say that Perspective covers a lot of ground musically speaking. You would’t go as far as to say it is eclectic, but stylistically it is happy to shift around a number of genres, from accessible rock to soul, pop and hushed R&B and from late night piano ballads to gentle gospel. And between these parameters Wembi creates an album that already feels like a future classic, one of those that gets revisited and re-explored by successions of new listeners as the years roll by.

Songs such as Hell No! immediately put you in mind of the likes of Toto and that funky pop-rock groove that has served them so well over the years and it is a song that I find myself drawn to lyrically right from the off, intrigued by a set of lyrics that, though the names have been removed to protect the guilty, it can be read as either covertly political or highly personal. Or both.

Ring The Bell plays with no such vagueness, an intimate message rendered into a smooth piano piece all emotive space and anticipation, atmosphere and heartfelt feelings and musically there seems to be as much power and intent in the gaps between the notes and the pauses between the words as in the more structured parts of the song. Less is indeed more and space is there not just to be filled but perhaps also framed, enhanced and used as an integral part of the song itself. Tanganyika takes a more electro-pop line, mixing groovesome rhythms and pulsing bass lines with synth melodies to form a striking instrumental piece.

But what Wembi revels in is deftly crafted ballads whose largely unadorned nature means that the grace and beautiful simplicity of their creation is open for all to see. Songs such as A Promise, Hopes and Lies and the statement of support and solidarity that is Puerto Rico are brave enough to remain fairly simple songs and that is where their power lies. It is easy for artists to fall into the trap of entering the studio and adding layer upon layer of sound, texture and musical excess to what was already a great song an act that only seeks to muddy the waters. Thankfully Wembi knows that he has good songs to start with and plays to their aesthetic strengths by allowing them to breath. Did I say good songs? Make that great songs!

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