A strange title for a strange album. And I mean that in the nicest possible of ways. Strange is good, strange is interesting, strange is the opposite of safe, strange is unpredictable. Strange is often great and there are certainly many great aspects to this album. The first great thing is its approach towards genres…Matthew De Ver isn’t really concerned with such limitations and here he wanders between the ambient and the funky, the spacious and the groovesome, the beat driven and the transient, often within the space of one song.
What is also great about it is the analogous nature of the lyrics, which on the surface seem to be of a man setting himself against the challenges of the natural world, of climbing mountains, of taking on the elements, of being lost in the snow. Listen deeper and you find the real story and understand that these physical battles are metaphors for the loves, longings and losses of his own life.
The Climb is a funky opening salvo but largely the album is happier to deliver cooler and more considered sonics with Blood on The Snow being an intimate spoken word one on one conversation with the listener and Battle Alone a slow jazz infused trip-hop groove. Between these extremes songs such as Secret Keeper come on like Mercury Rev’s angelic soundscapes playing a dance card and Up To The Air is a looping and beguiling, alt-pop ballad.
It’s an album that reveals its greatness slowly, that rewards the listeners regular return, peels back its textures and layers through constant re-examination. If you are looking for a quick musical fix, this isn’t really the place but if you wan’t to make a new musical friend, and the best albums do come to feel like friends, this is certainly the start of a new beautiful musical relationship. How great is that?