This album was described to me as electro-acoustic folk, sounds interesting enough, and two genres that could sit quiet nicely together, and they do. The songs are acoustic based but given a little extra atmosphere and ‘body’ with the electric treatment and, often, it works.
The songs sit nicely on the periphery of the subjects they tackle, often being the observer and posing questions – particularly on ‘Cloud Cuckoo Land’ where we’re asked to describe our world to visiting aliens – about human nature. He tackles personal issues such as dating as a middle-aged man, the effects of prescription drugs on your outlook on life and trying to ignore those voices in your head that seem to add caution to every decision and prevent us from doing things.
I think the best place to start with DK1’s album is the voice; singer/songwriter/musician/ producer Daniel Kent has a voice like Marmite, some will like it, others won’t. It’s a gentle, fractured, soft voice but won’t be for everyone.
Music wise the album covers folk but also takes in gyspy jazz and straight forward acoustic songwriter fare, the album starts well, ‘Itty Bitty Sh**y Committee’ is a strong opener, ‘Skinny Jeans’ takes a humorous look at modern day dating and ‘Bump’ sounds like a track from 90’s band St. Etienne, not a bad selection considering at this point the album is only five songs in.
There seems to be a deep well of talent around at the moment, blurring the borders of genres and challenging the listener to do something more than simply to listen, DK1 does just that.
Coulds and Shoulds is released on 1stOctober on F&G Records.