Where The Light Comes In – Ben Noble (reviewed by Marcus Kittridge)

This recording starts with a beautifully spacious sonic landscape that took me back to the time when Kate Bush experimented with the latest in Fairlight synthesizer technologies. Towards the end of the first track, big crescendos build from nothing to a dazzling ball of musical complexity. 'Bluebird' is driven along by a lo-fi 8 bit... Continue Reading →

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