Anything that puts me in mind of All About Eve is going to be good with me. That may be a lazy way to start talking about Eve Vine’s fine new single but it does come swathed in similar psychedelic meets gothic textures, the same translucent beauty, the same sonic elegance. But whereas Julianne Reagan and the crew quickly headed out into more pastel and Pre-Raphaelite territory, Evi Vine stays closer to the swirling dark riches that AAE’s early demos marked them out for.
Beauty in Chaos is a strange and intriguing prospect and like anything deserving of such a description is hard to easily pin down. Too fleeting to be a supergroup, more organic than merely a curated project, too original and forward thinking to be merely a rose-spectacled look at the past…it skips fleetingly past all those ideas, echoing all but committing to none. Personally it feels as if someone has snuck in to my house, rummaged through my vinyl collection to see what I like and brought a large selection of those bands and artists together to make an album just for me. They even put everything back in the right place afterwards.
At the heart of this exquisite album is guitarist and keyboardist Michael Ciravolo who managed to gather together an impressive roster of guest artists to appear as co-writers, performers and often both. The result is an album rooted in Ciravolo’s textured creations and then flavoured by the artists he brings to teach song, thus creating new music that sounds like long forgotten favourites, songs echoing signature sounds whilst wandering new paths and new potential. And whilst the list of the great and good who feature here dictate that there is an obvious, ready made market, it has to be stressed that Finding Beauty in Chaos rings with as much originality as those artists did in the first place.
But you can’t ignore the appeal of the album to existing post-punks, goths and alt-rockers, just look at the bands that this connects with, The Mission, The Cure, King’s X, Gene Loves Jezebel, even Ministry and Cheap Trick plus many more. The overall sound tends to revel in cinematic soundscaping, lush textures and brooding sonics but often these are shot through with jagged sonics and raw, razor wire guitars. There are occasional meanders into more extreme territory such as Al Jourgensen giving 20th Century Boy an industrial make-over on the album’s only cover but more representative is the Wayne Hussey and Simon Gallup performance on Man of Faith or Evi Vine’s hushed vocals on the ethereal I Will Follow.
With so many combinations and shifting personnel, it is an album that delivers much, the perfect combination of the right amount of musical cohesiveness and enough room to let the individual musical personalities take centre stage. It would be easy to make such an album feel like a flash back to the past, instead Beauty in Chaos is a glimpse of a future that never was and for those tantalising dreams, I give my thanks.